Edward Said is best known for his examination of representations of the Orient in European literature--representations that, he argues, legitimated colonial rule. While he takes a critical view of orientalist representations, he at the same time identifies himself as a scholar in the tradition of humanism. This article examines Said's complex relationship to humanism, and his attempt to articulate a new humanism that moves beyond parochialism and relates to what he called "secular criticism." It ends with an analysis of his late work, in which he affirms the need for a critical humanism in the face of the alienating effects of modernity and the resurgence of imperialism. **********
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