The Castle of Otranto - Horace Walpole

The Castle of Otranto

By Horace Walpole

  • Release Date: 1764-01-01
  • Genre: Fiction & Literature
Score: 4
4
From 147 Ratings
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Description

In a faraway medieval realm, Manfred, an arrogant and evil prince, rules with an iron fist. Banishing his wife to the castle dungeon, he confines and plans to wed the lovely Isabella, fiancee of his recently deceased son. The prince's plans are foiled, however, when a well-meaning peasant helps the young woman escape through the castle's underground passages. Grisly, supernatural events further aid in fulfilling a prophecy that spells doom for the prince and justice for Isabella's rescuer and rightful heir to the throne. Serving as the model for plots, characterizations, settings, and tone for hundreds of successors. The story abounds with colorful scenes, adventure, suspense, and inexplicable phenomena.

Reviews

  • Gothic Drivel

    2
    By Morgensweg
    The plot is ridiculous and the characters are either despicable or clueless. The appearance of supernatural events just add to the general silliness. If this is an example of an eighteenth-century novel, it's no wonder educated people thought novels were complete and utter nonsense. The only reason I gave it two stars (as opposed to none) is because it deserves its place in "classical" literature as the first gothic novel regardless of how asinine it is by today's standards.

  • Typo

    3
    By Yoooiouheesddddd
    Instead of reading "saying the principality," the passage should should read "saving the principality." Otherwise, a good read!!

  • Gothicism is born

    3
    By Spades+
    Within the lines of this narrative came forth the Gothic tradition, though it's later versions are much more engaging and fruitful to those wishing for the lore of the Gothic. 'The Castle of Otranto' reads more like a Shakespearean tragedy, a cross of MacBeth, Hamlet, and Richard III, though the characters are fall and dull. Shakespeare created characters of depth and substance; Walpole's are soap-opera esque who are silly and overdramatic. The only exception would be Hippolita who has an interesting psychology and adamance that's refreshing. Another obvious parallel to Shakespeare is the character of Bianca (rather appropriate that she also plays a dim-witted wench in Othello). Here, Bianca is a servant who has a rather comedic presence whenever she tries to converse with her lord and lady. Walpole's narrative has interesting premises and of course introduces famous Gothic archetypes such as looming ominous weather, darkness, and things that go bump in the night. However, too often he takes a tangent to unnecessary lengths that have little effect on the story. For example, the exchange between Matilda and Isabella in the latter pages reads more like an "OMG high school betrayal" than the essence of Gothicism. Also, the themes of prophecy and deceit seem so rough and ill-spliced in many places throughout that it's difficult to figure out just what's happening. But in the end, all is explained, rather Oedipian I might add, and we're left with a story of a diseased house and the unfortunate fates visited on the innocent because of bad luck and the whims of a madman. However, the novel is the first pure Gothic work, so it does have its rightful historical place in the literary canon, so if you're a fan of the modern Gothic of Stoker, Poe, Radcliffe, and Faulkner, then see how it evolved from the prototype. It's a classic, so read it, but the delight will be in finishing it, not actually reading it.

  • The Castle of Otranto

    3
    By Sewwhat51
    While this story may be considered the progenitor of the gothic tale, it reminded me more of a Shakespearian tragedy. In the first chapter we are introduced to the Lord of the castle, Prince Manfred, his wife Princess Hippolita, his daughter Princess Matilda, his son Prince Conrad, and Conrad's betrothed Isabella. The marriage celebration is about to begin when news arrives that Conrad has been struck down dead by a large helmet. We also learn of a prophecy foretelling the demise of Manfred's rulership. At the death of his son and only heir, Manfred plots to divorce his wife and marry Isabella to produce more sons. Of course, this is during the period of history when the church was supreme and divorce was forbidden. What must heaven think of Manfred's schemes? Ghosts and apparitions appear to thwart his plot and we learn how Manfred's predecessors illegitimately got possession of Castle Otranto. The real heir also makes his appearance. All this set in the time period of knights and the Crusades. I found the characters to be a little melodramatic. However, the author's vocabulary was challenging; I learned several new words. Interesting read by an eighteenth century author.

  • Tragedy

    5
    By Vampyregod
    Well written. Not one undesirable character to this tale. Such detail that it my mind this story may be true.

Comments

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    George MacDonald, Charles Brockden Brown, Henry James, Horace Walpole, Frederick Marryat, Washington Irving, H. P. Lovecraft, Louisa May Alcott, Charles Dickens, Grant Allen, Mayne Reid, Francis Marion Crawford, Oscar Wilde, Emily Brontë, Friedrich Schiller, Robert Louis Stevenson, Gaston Leroux, Algernon Blackwood, William Hope Hodgson, Ann Ward Radcliffe, G. P. R. James, Joseph Sheridan Le Fanu, Gertrude Linnell, William Thomas LINSKILL, Lafcadio Hearn, George Sand, Catherine Crowe, E. G. Swain, Talbot Baines Reed, Mrs. Oliphant, Edgar Wallace, Vernon Lee, Arthur Quiller-Couch, D. H. Lawrence, Elizabeth Stuart Phelps, H.G. Wells, Mary Eleanor Wilkins Freeman, Earl H. Reed, B. L. Farjeon, Paul Heyse, Rudyard Kipling, Wilhelm Hauff, Guy Boothby, Frederic Henry Balfour, M. R. James, Emma Dorothy Eliza Nevitte Southworth, F. Britten Austin, Richard Marsh, Mrs. J. H. Riddell, William De Morgan, Arlo Bates, Thomas Nelson Page, E. F. Benson, Henry Johnson Brent, Richard J. Hinton, Leonard Kip, W. T. Stead, Howard Pease, E. Nesbit, Jean Webster, William Ogilvie, Andrew Lang, Carolyn Wells, Edward S. Sorenson, Eliza Parsons, Mary Noailles Murfree, Rafael Sabatini, Mrs. Molesworth, May Sinclair, S. Baring-Gould, Dorothy Scarborough, Richard Middleton, Weymer Jay Mills, Lanoe Falconer & Nathaniel Hawthorne

  • Three Gothic Novels

    Horace Walpole, Mary Shelley, William Beckford & Peter Fairclough

  • The Castle of Otranto

    Horace Walpole & Michael Gamer

  • 60 Gothic Classics

    Horace Walpole, William Thomas Beckford, Eliza Parsons, William Godwin, Ann Radcliffe, Matthew Gregory Lewis, Charles Brockden Brown, Jane Austen, Mary Shelley, Thomas Love Peacock, Edgar Allan Poe, John William Polidori, Washington Irving, Charles Robert Maturin, James Hogg, Victor Hugo, Frederick Marryat, Nikolai Gogol, Charlotte Brontë, Emily Brontë, James Malcolm Rymer, Thomas Peckett Prest, Nathaniel Hawthorne, George Eliot, Wilkie Collins, Robert Louis Stevenson, Charles Dickens, Joseph Sheridan Le Fanu, Arthur Conan Doyle, Oscar Wilde, Guy de Maupassant, Anna Katharine Green, Charlotte Perkins Gilman, Arthur Machen, George MacDonald, John Meade Falkner, H.G. Wells, Richard Marsh, Henry James, Bram Stoker, W. W. Jacobs, Robert Hugh Benson, Gaston Leroux, Theophile Gautier, William Hope Hodgson & Grant Allen

  • The Castle of Otranto; a Gothic story. (With a critical introduction.).

    Horace Walpole

  • The Darkness of Castle Otranto

    Horace Walpole & Clara Reeve

  • The Castle of Otranto

    Horace Walpole

  • The Castle of Otranto

    Horace Walpole

  • The Castle of Otranto

    Horace Walpole

  • The Big Book of Halloween Tales

    Wilhelm Hauff, Theodor Storm, Charles Dickens, Mark Twain, Harriet Beecher Stowe, Adelbert von Chamisso, Oscar Wilde, Robert Louis Stevenson, Edgar Allan Poe, William Hope Hodgson, Joseph Sheridan Le Fanu, John Buchan, George MacDonald, Louis Tracy, Percy Bysshe Shelley, Bram Stoker, Anatole France, Charlotte Brontë, Emily Brontë, Jack London, Henry James, Théophile Gautier, Arthur Conan Doyle, Richard Le Gallienne, Guy Boothby, Jane Austen, Algernon Blackwood, Ralph Adams Cram, Thomas De Quincey, John Meade Falkner, Guy de Maupassant, Thomas Hardy, William Archer, William Harrison Ainsworth, Daniel Defoe, John Kendrick Bangs, Cleveland Moffett, Brander Matthews, Marie Belloc Lowndes, Sax Rohmer, Horace Walpole, Rudyard Kipling, Lafcadio Hearn, Ambrose Bierce, Frederick Marryat, Thomas Love Peacock, Ellis Parker Butler, Washington Irving, David Lindsay, Nathaniel Hawthorne, Gaston Leroux, Grant Allen, Arthur Machen, Wilkie Collins, William Makepeace Thackeray, Thomas Peckett Prest, James Malcolm Rymer, Fergus Hume, Edward Bellamy, Walter Hubbell, S. Mukerji, George Sylvester Viereck, Charles Brockden Brown, Charlotte Perkins Gilman, Leopold Kompert, Richard Marsh, Chester Bailey Fernald, Florence Marryat, Catherine Crowe, Marjorie Bowen, John William Polidori, Vincent O'Sullivan, H. G. Wells, John R. Musick, Robert W. Chambers, W. W. Jacobs, M. P. Shiel, E. F. Benson, Jerome K. Jerome, M. R. James, E. T. A. Hoffmann, Eleanor M. Ingram, George W. M. Reynolds, Fred M. White, H. P. Lovecraft, Robert E. Howard, Edith Nesbit, Sabine Baring-Gould, William Thomas Beckford, Francis Marion Crawford, Mary Elizabeth Braddon, Mary Louisa Molesworth, Mary E. Wilkins Freeman, Nikolai Gogol, J. Meade Falkner, Mary Shelley, Elizabeth Gaskell, Gertrude Atherton, Edward Bulwer-Lytton, Frank R. Stockton, A. T. Quiller-Couch, Olivia Howard Dunbar, Ann Radcliffe, Louisa M. Alcott, Thomas Mayne Reid, Amelia B. Edwards, Leonard Kip, Matthew Gregory Lewis, Charles Maturin, Fitz-James O'Brien, Katherine Rickford, Bithia Mary Croker, Catherine L. Pirkis, Emile Erckmann, Alexandre Chatrian, Pedro de Alarcon, J. K. Huysmans, Pliny the Younger, Helena Blavatsky, Villiers l'Isle de Adam, William F. Harvey, Fiona Macleod, William T. Stead, Gambier Bolton, Andrew Jackson Davis, Nizida, Walter F. Prince, H. H. Munro, Mrs. Margaret Oliphant, C. J. Hogarth, J. T. Bealby, Samuel Henley, Isabel F. Hapgood, Keene Wallace, Margarete Münsterberg & Marie orelli

  • The Castle of Otranto

    Horace Walpole

  • The Castle of Otranto

    Horace Walpole