Minor ii V Mastery for Guitar

Discover Minor Jazz Guitar Soloing
Are you struggling to solo on the minor ii V I (2 5 1) chord progression in jazz?
Are you bewildered by the jazz scale options available and complex theoretical explanations
Are jazz arpeggios and extensions a mystery to you?
Minor ii V Mastery for Jazz Guitar is the complete guide to jazz guitar soloing on the one of the most common jazz guitar chord sequences

The complete guide to mastering the Minor ii V I in jazz guitar
Minor ii V Mastery is the definitive guide to bebop minor ii V soloing for guitar. Following hot on the heels of the best selling "Fundamental Changes for Jazz Guitar" this book delves deep into every important soloing approache on the minor ii V i jazz chord progression.

Beginning from basic first principles such as chord arpeggios, chromatic approach notes, extended arpeggios and target notes, Minor ii V Mastery goes on to cover the more exciting and advanced melodic concepts used by all the great bebop jazz guitarists.

Learn these jazz guitar soloing skills
Always play the right arpeggios over any chord
Apply chromatic approach notes for a traditional bebop sound
Use extended arpeggios to add colour, just like Charlie Parker
Master target notes and soloing tricks
Discover minor bebop scales, the Phrygian Dominant mode, and more modern approaches
Get to grips with the altered scale for a cutting edge jazz guitar solo
Bonus 170 audio tracks to download for free

Bonus 12 bespoke backing tracks to make practise fun and productive

The ground-up approach to jazz guitar soloing
The emphasis is on building your jazz guitar solo from the ground up, and creating lines around the important concepts demonstrated in the book. You will hear, absorb and understand minor ii V vocabulary as never before.

The focus throughout Minor ii V Mastery is on using just one position on the guitar, meaning you can focus only on what matters most; the sound of the melodic line. You’ll stop worrying about one hundred different fingering permutations and master one area of the guitar.

By blocking out these 'guitar-specific' distractions, the sound of the minor ii v i will be deeply ingrained in your ears freeing you to create meaningful music.